
©2003,
stan friedman - all rights reserved
Circles,
shapes, angles, shadows extended,
and beckoning colors are the "something in my eye". The minor irritant
causing me to blink . . . that capturing, remembering, cleansing blink.
My
vision clears. Then, once again, there's something in my eye.
Imagery
has always, for me, been central to communicating. Heightened, possibly
even seeded, while I vainly tried to convince my intractable first
grade teacher that the front door of my home was really, really,
really, blue!
Somehow the obvious truth of my still damp,
watercolor
ran out of gas miles from her world.
An empty truth unable to even
hitch a ride
on my protesting voice.
Building
images upon visions, whether by word, by picture, or by sound, onto
moving film/video, or presented quietly as a printed page or a
photograph, has - with a driving passion - carried my fueled "truth"
down many roads.
As
a film editor I have sequenced, bent, and even created images from
visions; as a cinematographer and videographer
I have, guided by vision, corralled images; and as a producer I have
branded and sold images; all the while, all the time, as a photographer
I have collected images from the cracks between visions.
This
contemplative, body of work is a consideration of the moments between
visions where objects are allowed to tell their own stories.
Moments
where images are both observed and heard. Moments where the formality
of a visual-haiku form opens a door (blue?) to the infinite.
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